Assemblage with found objects, electronic waste and repurposed materials
5.4x10x1.7ft / 1.65x3x0.5m
A series of artworks and installations exploring the darker realities of our contemporary world: authoritarianism, surveillance eroding individual freedoms. Through a surreal visual language, the series examines the systems of power and control that increasingly shape our lives. Its palette of dark red, black, and silver echoing the symbolism employed by certain contemporary political movements, evoking authority and the seductive aesthetics of power. Part warning, part reflection, The Life of Others invites us to question what we accept as normal, what remains hidden from view, and how much freedom we are willing to surrender.


The nerve centre of surveillance and control. Here, information is gathered, analyzed into knowledge about individuals and populations.
A place where data becomes power, and observation becomes a tool of authority.
Drones and micro-cameras extend the reach of surveillance into the air and into the most intimate spaces. Designed to observe without being seen, these technologies blur the boundaries between security and intrusion, raising questions about privacy and freedom.
An invisible network of surveillance and psychological manipulation. Through tracking, data collection, and the shaping of information, the web becomes a means of influencing behaviour, engineering perceptions, and quietly directing public opinion.
A fictional device inspired by contemporary anxieties surrounding the mind, technology, and invisible forms of attack. It evokes the controversy surrounding Havana Syndrome, a collection of reported symptoms whose causes remain unresolved. Where evidence ends and speculation begins, fear and uncertainty take hold.
Robotic systems and artificial intelligence increasingly influence how we work and live. Capable of monitoring, analyzing, and acting, they challenge the boundaries between human agency and automated control, prompting us to reconsider the balance between technological progress and individual freedom.
An unseen presence that follows, observes, and records. Whether a person, an institution, or an algorithm, the Watcher embodies the unsettling feeling of being constantly visible—and the possibility that privacy has become an illusion.
Truth is rarely more vulnerable than when it can be manipulated. Through propaganda, disinformation, and psychological persuasion, perceptions can be distorted and reality reshaped. The TruthBender explores the fragile boundary between fact and fiction, and the power to determine what others believe.
A surreal reflection on authoritarianism, surveillance, and the disorienting political realities of our time. In an age shaped by social media, technological upheaval, and the rapid spread of misinformation, the familiar gives way to the question: How did we get here?
The box evokes the neoclassical architecture often associated with institutional power. Inside, broken light bulbs symbolize outdated ideas returning to the present. A green eye embodies the relentless gaze of surveillance, while red lights flash as warnings against the deliberate obscuring of truth—an unsettling form of obscurantism.
The final work offers a glimmer of hope. The controlling eye, a recurring symbol of authority and oppression, watches as an escape unfolds beyond its reach.
Power remains vigilant, but its grip is no longer absolute. Change has begun, and the past cannot simply be restored. The Great Escape is a statement of resilience and liberation—a belief in the possibility of breaking free and imagining a different future.
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A darkly satirical statement on chemical weapons and the devastating consequences of their use. Behind the language of branding and consumer promises lies a disturbing reminder of weapons whose effects on human life and the environment can be irreversible.
Chemical weapons are prohibited under international law. Their legacy stands as a stark warning of the destructive potential of science when placed in the service of violence.